
Frances Morgan is a writer and researcher with a focus on auditory culture, instrument studies and histories of electronic sound and music, and a professional background in music and arts journalism. Their doctoral research addressed the historiography of electronic music through a study of the EMS Synthi 100 synthesizer, and was supported by the Science Museum, London, through the AHRC’s Collaborative Doctoral Award scheme. Their research has been published in Organised Sound, Dancecult and the Journal of Popular Television. Frances has taught on BA and MA programmes in Sound & Music Production, Media & Communications, Journalism and Critical Writing at institutions including the University of Lincoln and the Royal College of Art.